2011年11月20日星期日

Aion / Lighting

They are the last days of the 54 ° Biennale, this year devoted to the topic of lighting. Lighting, like the beautiful notion of guiding principles that should govern a State, as the tutelary deity of the imagination, typical of Greek and Latin classics, light as a perception of his absence.

Dialectic of opposites that has generated a Biennial made, even if at times elegant bourgeois finissage of the threshold, it's time to pull the strings for this story Penelope (Bice Curiger) which can be given credit for having avoided divedere "to easygoing "the good from the bad, the winners from the losers, the sacred from the profane. His is a Biennial was the hermeneutic line for the construction of a thought in progress, spiritual architecture for images.

If the theme of eroticism seems to have been the conduit for the most prolific artists, attention should be given also to blow up by Christian Boltanski, which granted the Chance of being thrust into the mechanism of the film, literally. The Italy Pavilion, with the oar brought him the order, is also the generator of the art macro index: Umberto Veronesi, Ennio Morricone, Antonio Marras, are just some of the scholars in the watermark, not giving them even if unwitting accomplices front of the Casbah result.

Vittorio Sgarbi appears as orchestrator polished rhetoric of manipulation for their own purposes condemnable because inappropriate and misplaced.

So to celebrate this flower of Italy is the love for the art here is that the inspiration to ascend the dome oppresses Beauty, acting as a back door of an anti Italian celebration: 151 years of celebration mafia. Mortifying and abominable machinations, the curator would be worth a small kiosk, inside that pavilion egomaniac who is Germany.

Lanes and Gypsy, candles and neon, this Biennale opens to the hypothesis such that everything can be the subject of inspiration, everything can be considered and the top and base and a means to say, while risking a misunderstanding of assumptions, perceptions and penalties.

In the midst of this rhapsody, art retreats in time peripatetic greek garden, meditative space for reflection and genuine insights.

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